
展示电影课程学生作品
Explore the beauty of cinema
Welcome to my portfolio.
Classroom Exercise
week1
week2
week3
week 4
Written practice
week 1
The rain came down in thick, diagonal sheets, turning the pavement into a dark, shimmering mirror, and we were trapped under the narrow awning of a closed bookstore, the musty smell of wet concrete and old paper filling the air. His shoulder was pressed against mine, a solid, warm weight, and the left sleeve of my jacket was soaked through because he’d nudged me into the dry side. We weren’t talking, just watching the cars hiss by, their headlights stretching long, ghostly fingers through the downpour. Then, from the depths of his backpack, he produced a single, slightly crumpled banana. He broke it in half with a soft, clean snap, the sound surprisingly sharp against the drumming rain, and handed me the larger piece without a word. The banana was overripe, almost too sweet, its mushy texture a comfort as I ate it, the taste pulling a memory to the surface of another rainy afternoon years ago, hiding in a treehouse with the same shared snack. A bus splashed through a deep puddle a few feet away, and we both flinched back in unison, our shoulders bumping, and then let out the same short, breathy laugh. He wiped a drop of water from his glasses on the hem of his shirt, and I knew, without him saying anything, that he was thinking about the book he’d left on his bed, worried it would get damp from the open window. The rain began to slow, fading to a gentle patter, and the world started to come back into focus—the drip-drip-drip from the gutter, the distant wail of a siren, the cool, clean air filling our lungs. He crumpled the banana peel into a single ball, tucked it into his pocket, and nodded toward the clearing sky, a silent question. I just nodded back, and we stepped out from our shelter into the glistening street, the shared silence between us louder and more full of understanding than any conversation we’d ever had.
week 2
The hospital room was perpetually steeped in the sharp, antiseptic scent that clung to every breath, an invisible film coating the back of the throat. It had been a neutral, transient space, but that afternoon, it completed its final, terrible transformation. Sunlight streamed with an inappropriate violence through the large window, carving slanted, overly bright rectangles on the floor, where dust motes danced in silent frenzy. On the windowsill, a neglected pothos plant was curling at the edges, its leaves brittle and brown to the touch—a dry, crumbling texture of neglect. All sound was swallowed, save for the rhythmic, mechanical beep of the heart monitor, a relentless, cold metronome marking a final countdown. My mother’s hand lay in mine, its weight terrifyingly slight, her skin like tissue paper worn thin, mapping a delicate tracery of blue veins beneath. I remembered being in this same room, with that same antiseptic smell, feeding her a small piece of sweet melon and listening to her muffled stories of my childhood; it had been a place still warmed by the embers of life. Now, the last of that warmth was leaching from her fingertips, retreating into the shadows the fierce light could not reach. The room was no longer a "place." It had collapsed into a single, eternal moment, cast from the astringent smell, the烫的阳光, the brittle leaves, and the ultimate silence—an emotional ruin to which any similar scent or light could, and would, instantly return me.
week 3
Grandma always sat in the wicker chair by the window, sunlight dancing through the plane leaves upon her silver hair. The photo taken on her ninetieth birthday still sits on my desk—she’s leaning forward slightly, holding a half-walnut, her wrinkles brimming with a smile, as though about to say something to me through the lens.
I remember her hands. Swollen knuckles from a lifetime of work, yet remarkably deft. She could wrap a whole steamer of delicate dumplings in five minutes, weave fallen plane leaves into butterflies poised for flight, and while fanning me on summer nights, her fingertips carried the faint, bitter fragrance of mugwort. She often said, “Life should flow like a gentle stream,” yet she filled every grandchild’s pocket with osmanthus candy, carefully wrapped in handkerchiefs.
What remains most vivid are those summer nights. Swishing her palm-leaf fan, she’d tell stories of walking three hundred miles through mountain paths seventy years ago to pursue an education amid war. Her tales always included moonlight lighting the way and sweet mountain springs quenching her thirst. It wasn’t until I grew up that I realized she had omitted all the hardship, leaving only starlight and courage. Today, every child in our family remembers her words: “Keep moving forward—the sky will always brighten.”
It’s been seven years since she left. But whenever the spring breeze carries the scent of blossoms from the old pear tree in the yard, whenever we taste glutinous rice cakes dusted with soybean flour, we still exchange knowing smiles—look, this is the way Grandma taught us. She left behind no remarkable achievements, but a secret recipe for making ordinary days glow, just like the gentle smile forever held in her eyes in that photo, still watching over us, teaching us how to wrap even the clumsiest days in light.
week 4
In discussing the lighting approach for these two selected stills from *Blade Runner 2049*, I would describe the first shot—featuring the protagonist standing beneath the giant Joi hologram—as a quintessential example of **low-key, cool-toned, and highly stylized** lighting, where the primary source is a motivated but exaggerated holographic projection from the upper left, casting intense cyan and magenta hues that dominate the scene while leaving roughly 60% of the frame in deep, detailed shadows, achieved likely through a combination of a strong 10K HMI with color gels as the key light, soft blue fill to preserve detail in the midtones, and carefully underexposed backgrounds to enhance the surreal, noir-inflected mood. The second interior shot employs a more **naturalistic, warm, mid-key** approach, using a large off-camera window as a motivated source to simulate late afternoon sunlight diffused through soft frost or a 216 cloth, creating gentle gradients on the characters’ faces and maintaining an overall comfortable yet melancholic atmosphere, with nuanced shadow details rather than pure blacks, suggesting the use of additional bounce and subtle backlighting to support the emotional subtext of the scene without overt stylization.